merde, je pensais que tu serais le seul à apprécier... 
le hit de 2011.... MAVADO....DELILAH.....
Depuis plus d' un an j'ai vraiment du mal avec ces prods.
Ça me rappel Skrillex du Dubstep ultra balourd pour les jeunes beaufs américains qui se bourre la gueule pendant le "Spring Break".
Dans l'absolu même si c'est différent,c'est pas mieux,pas pire que le Dubstep d'hippie teuffeurs qui dansent dans du vomie.
Ça me rappel Skrillex du Dubstep ultra balourd pour les jeunes beaufs américains qui se bourre la gueule pendant le "Spring Break".
Dans l'absolu même si c'est différent,c'est pas mieux,pas pire que le Dubstep d'hippie teuffeurs qui dansent dans du vomie.
nathy a écrit :
Dans l'absolu même si c'est différent,c'est pas mieux,pas pire que le Dubstep d'hippie teuffeurs qui dansent dans du vomie.
rha rha!!!!!
Aprés le dub step c'est pas plutot une musique de bourgeois qui à peur d'aller en rave?
Par contre c'est vrai que le delilah est le tune de l'été mais de movado.
Le tune de l'été c'est Vybz Kartel : Summertime je pense pas que ça soit contestable!
Et mm si kartel inonde les ondes en sortant tune sur tune vu qu'il est bloqué a yard c'est Movado qui met la plus gross quenelle en mangeant le gâteau US.
éternel apprenti
De mes souvenirs de lycéen, les teuffeurs étaient pour les 3 /4 des fils à papa . Ils se deguisent pendant une periode en clochard pour connaitre les vrais valeurs de la vie. Puis quand la vie de pauvre en hiver devient relou,ils retournent chez papa et deviennent employé de banque.
je trouve aussi le remix super naze....bon le dub step c est pas ma came.
Voir la vidéo sur YouTubedubstep ou pas il y a rien de pire que vos "morve-d'ado" .
c'est de la merde pour faire remuer les-gras-du-bide-pseudo-hype dans les campus US.
Hey Eazy....argumente ou alors je commence à me dire que t'es un peu debile des fois....
tu comprends pas que le dancehall evolue dans certaines directions et que forcement ya une des routes c 'est l 'electo pop parce que c'est worldwide et les mecs ont faim....
on en reparlera en 2015
Voir la vidéo sur YouTube
Delilah c est pas un nom choisi au hasard.....rien à voir avec un summer tune comme tun up di sumer ou summertime de kartel des tunes perimées une fois l'été finit....
tu comprends pas que le dancehall evolue dans certaines directions et que forcement ya une des routes c 'est l 'electo pop parce que c'est worldwide et les mecs ont faim....
on en reparlera en 2015
Voir la vidéo sur YouTubeDelilah c est pas un nom choisi au hasard.....rien à voir avec un summer tune comme tun up di sumer ou summertime de kartel des tunes perimées une fois l'été finit....
joseph a écrit :
Delilah c est pas un nom choisi au hasard.....rien à voir avec un summer tune comme tun up di sumer ou summertime de kartel des tunes perimées une fois l'été finit....
LOL
C'est clair celle marche pour les coeurs brisés, du couple double impacte : sur les juilletistes et les aoutiens! Quand Jennifer retrouvera son brandon et qu'elle lui dira qu'elle la trompé avec Jimmy!!!
éternel apprenti
mon nom est personne a écrit :joseph a écrit :
Delilah c est pas un nom choisi au hasard.....rien à voir avec un summer tune comme tun up di sumer ou summertime de kartel des tunes perimées une fois l'été finit....
LOL
C'est clair celle marche pour les coeurs brisés, du couple double impacte : sur les juilletistes et les aoutiens! Quand Jennifer retrouvera son brandon et qu'elle lui dira qu'elle la trompé avec Jimmy!!!
un peu de culture pour les jeunes bouffons 
Delilah (????? - Dlila, Standard Hebrew meaning "[One who] weakened or uprooted or impoverished" from the root dal meaning "weak or poor")[1] appears only in the Hebrew bible Book of Judges 16, where she is the "woman in the valley of Sorek" whom Samson loved, and who was his downfall. Her figure, one of several dangerous temptresses in the Hebrew bible, has become emblematic: "Samson loved Delilah, she betrayed him, and, what is worse, she did it for money", Madlyn Kahr begins her study of the Delilah motif in European painting.[2]
Delilah was approached by the lords of the Philistines, to discover the secret of Samson's strength, "and we will give thee every one of us eleven hundred pieces of silver". Three times she asked Samson for the secret of his strength, and three times he gave her a false answer. First he told her "If they bind me with seven green withes that were never dried, then shall I be weak, and be as another man.". Then he told her "If they bind me fast with new ropes that never were occupied, then shall I be weak, and be as another man.". A third time he told her "If thou weavest the seven locks of my head with the web". On the fourth occasion he gave her the true reason: that he did not cut his hair in fulfillment of a vow to God;[3] and Delilah, when Samson was asleep on her knees, called up her man to shave off the seven locks from his head, then betrayed him to his enemies: "the Philistines took him, and put out his eyes, and brought him down to Gaza, and bound him with fetters of brass; and he did grind in the prison house".
Some consider one of the false secrets given by Samson, that his strength would leave him if his hair were woven into a cloth, to be reminiscent of arcane woman's magic of the art of weaving that is also inherent in the myths of Penelope, Circe, Arachne.
The toponym "Sorek" or "soreq" is identified only in connection with the Samson story. In the fourth century AD, Jerome mentions a "Capharsorec" that was near Saraa. Modern Israel has a Soreq Valley and even a Sorek Vineyard (since 1994/5) producing Merlot. Soreq, however, is the grapevine itself in Genesis 49:11, Isaiah 5:2, and Jeremiah 2:21. Samson had been dedicated as a Nazirite, "from the womb to the day of his death"; thus he was forbidden to touch wine or cut his hair.[4] Delilah may be a "vine-woman" (compare the mythic Greek name Oenone), personifying the womanly temptations of the vine that would betray his Nazarite dedication.
Samson and Delilah, by Anthony van Dyck (1599-1641)
Petrarch instanced Samson and Delilah in his Trionfi, as a victim in his allegorical depiction of the Triumph of Love. Somewhat inappropriately it would seem to a modern eye, the theme was depicted on more than one fifteenth-century Tuscan painted marriage tray. In the North, the Late Gothic theme of Weibermacht, of the dangerous strength of women, included in the series a conventional scene of a seated Delilah, with Samson asleep in her lap, shearing the "seven locks" from his head: the woodcut by Master E.S. might be a scene of courtly love, Madlyn Kahr has remarked, save for the ominous scissors in Delilah's hand.
A small grisaille panel by Andrea Mantegna[5] in the National Gallery, London places the duo beneath a dead tree wound about with a luxurious vine (the debilitating power of the fruitful woman) and a fountain that overflows and seeps away into the ground, with undertones of unbridled sexual appetite. In Northern Europe the Delilah theme was more prominent among painters like Lucas van Leiden and Maerten van Heemskerck, who made a large woodcut of the subject after Titian. Tintoretto followed Titian in introducing a female accomplice of Delilah's; Rubens added further females, with a suggestion of a brothel, and came back to the subject several times. No major seventeenth-century artist approached the subject more often than Rembrandt.[6]
John Milton personified her as the misguided and foolish but sympathetic temptress, much like his view of Eve, in his 1671 work Samson Agonistes[citation needed]. By the time of Camille Saint-Saëns' Samson et Dalila (1877) Delilah had become the eponym of a "Delilah", a treacherous and cunning femme fatale.
http://en.wikipedia.org/wiki/Delilah
Delilah (????? - Dlila, Standard Hebrew meaning "[One who] weakened or uprooted or impoverished" from the root dal meaning "weak or poor")[1] appears only in the Hebrew bible Book of Judges 16, where she is the "woman in the valley of Sorek" whom Samson loved, and who was his downfall. Her figure, one of several dangerous temptresses in the Hebrew bible, has become emblematic: "Samson loved Delilah, she betrayed him, and, what is worse, she did it for money", Madlyn Kahr begins her study of the Delilah motif in European painting.[2]
Delilah was approached by the lords of the Philistines, to discover the secret of Samson's strength, "and we will give thee every one of us eleven hundred pieces of silver". Three times she asked Samson for the secret of his strength, and three times he gave her a false answer. First he told her "If they bind me with seven green withes that were never dried, then shall I be weak, and be as another man.". Then he told her "If they bind me fast with new ropes that never were occupied, then shall I be weak, and be as another man.". A third time he told her "If thou weavest the seven locks of my head with the web". On the fourth occasion he gave her the true reason: that he did not cut his hair in fulfillment of a vow to God;[3] and Delilah, when Samson was asleep on her knees, called up her man to shave off the seven locks from his head, then betrayed him to his enemies: "the Philistines took him, and put out his eyes, and brought him down to Gaza, and bound him with fetters of brass; and he did grind in the prison house".
Some consider one of the false secrets given by Samson, that his strength would leave him if his hair were woven into a cloth, to be reminiscent of arcane woman's magic of the art of weaving that is also inherent in the myths of Penelope, Circe, Arachne.
The toponym "Sorek" or "soreq" is identified only in connection with the Samson story. In the fourth century AD, Jerome mentions a "Capharsorec" that was near Saraa. Modern Israel has a Soreq Valley and even a Sorek Vineyard (since 1994/5) producing Merlot. Soreq, however, is the grapevine itself in Genesis 49:11, Isaiah 5:2, and Jeremiah 2:21. Samson had been dedicated as a Nazirite, "from the womb to the day of his death"; thus he was forbidden to touch wine or cut his hair.[4] Delilah may be a "vine-woman" (compare the mythic Greek name Oenone), personifying the womanly temptations of the vine that would betray his Nazarite dedication.
Samson and Delilah, by Anthony van Dyck (1599-1641)
Petrarch instanced Samson and Delilah in his Trionfi, as a victim in his allegorical depiction of the Triumph of Love. Somewhat inappropriately it would seem to a modern eye, the theme was depicted on more than one fifteenth-century Tuscan painted marriage tray. In the North, the Late Gothic theme of Weibermacht, of the dangerous strength of women, included in the series a conventional scene of a seated Delilah, with Samson asleep in her lap, shearing the "seven locks" from his head: the woodcut by Master E.S. might be a scene of courtly love, Madlyn Kahr has remarked, save for the ominous scissors in Delilah's hand.
A small grisaille panel by Andrea Mantegna[5] in the National Gallery, London places the duo beneath a dead tree wound about with a luxurious vine (the debilitating power of the fruitful woman) and a fountain that overflows and seeps away into the ground, with undertones of unbridled sexual appetite. In Northern Europe the Delilah theme was more prominent among painters like Lucas van Leiden and Maerten van Heemskerck, who made a large woodcut of the subject after Titian. Tintoretto followed Titian in introducing a female accomplice of Delilah's; Rubens added further females, with a suggestion of a brothel, and came back to the subject several times. No major seventeenth-century artist approached the subject more often than Rembrandt.[6]
John Milton personified her as the misguided and foolish but sympathetic temptress, much like his view of Eve, in his 1671 work Samson Agonistes[citation needed]. By the time of Camille Saint-Saëns' Samson et Dalila (1877) Delilah had become the eponym of a "Delilah", a treacherous and cunning femme fatale.
http://en.wikipedia.org/wiki/Delilah
Joseph si je peux me permettre je crois que tu vas chercher un peu trop loin là...
Delilah c'est aussi un prénom commun en JA.
Ce n'est pas parce que Mavado fait une tune sur une meuf qui s'appelle Delilah que son tune à une dimension spirituelle et biblique ...
De la même manière que si tu fais un dubplate pour toi (Joseph), ce n'est pas pour autant que ton dub aura un rapport avec le nouveau testament
Tu vois ce que je veux dire ?
ce tune ne fait pas l'unanimité mais tu le kiff et c'est ton droit le plus légitime
à mon avis il est inutile d'essayer de lui trouver des côtés mystiques pour essayer de te légitimer, c'est une simple histoire de goûts et de couleurs...
Delilah c'est aussi un prénom commun en JA.
Ce n'est pas parce que Mavado fait une tune sur une meuf qui s'appelle Delilah que son tune à une dimension spirituelle et biblique ...
De la même manière que si tu fais un dubplate pour toi (Joseph), ce n'est pas pour autant que ton dub aura un rapport avec le nouveau testament
Tu vois ce que je veux dire ?
ce tune ne fait pas l'unanimité mais tu le kiff et c'est ton droit le plus légitime
à mon avis il est inutile d'essayer de lui trouver des côtés mystiques pour essayer de te légitimer, c'est une simple histoire de goûts et de couleurs...
Righteous sur ce coup tu me deprimes.....j'ai l impression que vous comprenez rien....
moi j'ai essayé d'écouter les paroles, mais c'est insupportable comme musique .
Dalila c'est la meuf qui coupe les dreadlocks de samson (secret de sa force) dans la Bible,c'est genre une te-trai.
vu qui le jamaicans sont a donf dans le Livre c'est pas exclu qu'il y est un parallèle.
Dalila c'est la meuf qui coupe les dreadlocks de samson (secret de sa force) dans la Bible,c'est genre une te-trai.
vu qui le jamaicans sont a donf dans le Livre c'est pas exclu qu'il y est un parallèle.
eazy a écrit :moi j'ai essayé d'écouter les paroles, mais c'est insupportable comme musique .
Dalila c'est la meuf qui coupe les dreadlocks de samson (secret de sa force) dans la Bible,c'est genre une te-trai.
vu qui le jamaicans sont a donf dans le Livre c'est pas exclu qu'il y est un parallèle.
laisse moi rire...
ce tune est aussi profond et a autant de références bibliques qu'un David Guetta.....